Showing posts with label Cartoons. Show all posts
Showing posts with label Cartoons. Show all posts

Tuesday, September 23, 2025

Character Proportions

There's a manhwa I'm reading where I am ecstatic that the artist improved the proportions of the characters. This story is a spin-off of the first series.

I won't mention the title or artist, because I loved the story so much, but I can't stand what I call "Brown Hornet" Syndrome - broad neck, shoulders, arms & chest, all of the torso muscular, but then from the waist and downward are like pencils/toothpicks.

It's especially egregious in the US superhero genre and any comic where there are preternaturally strong characters. Now, if the style is cartoonish, exaggerated, I don't mind the "Brown Hornet" look.

But if the art style is semi-realistic, it bothers me enough that the story and plots better be super engaging, or I'm out.

Case in point: my ML, Peter Dunlop, is a former footballer. He was a linebacker. Though this is anthro/furry, a little cartoonish with some manga aesthetics, I need him proportioned. I need ALL my OCs proportioned, regardless of body types. Or, moreso because of real-life body shapes.

Tuesday, April 18, 2023

A Quick Note About Animation

I reactivated my Tumblr blog to begin posting my finalized comic, and one post explained how North American 2D animation seemed to flourish in the 90s before it suddenly stopped. 

One blogger explained they didn't understand as a child viewer, but after working in the arts and speaking to peers in the animation industry, they learned one of the main reasons was: unions. The European and Asian animation industries continued to put out innovative products while North American animation's lack of unionization stunted its growth.

I have been reading Japanese Anime/Manga magazines since the 90s, and learned that even in Japanese animation, how toxic the profession is to its animators, even when a studio does well in bestselling/award-winning titles. Even when a series grows an international fanbase. 

More endless reasons for why the creative/performing arts continue to be defunded and/or underfunded...
Because Society LOVES its arts to consume, but won't LOVE its creators to enough to sustain them.

Tuesday, July 19, 2016

Imagine Nation (Pop culture TV show)

Imagine Nation is a show on NHK World TV's channel (a Japanese news' channel for English-speaking viewers) that deals with anime, manga, animation, video games, cartooning, and speaking to industry insiders. The show is less than half an hour and I'll talk about it in another post. Right now, I want to bring up a quote I wrote down.

"There are things I don't want others to know about me. And there are things about people close to me that I wouldn't want to have disclosed either. I feel the same way about characters. I mean, not everything has to be revealed to the readers, because it's more beautiful when some things are left unsaid. I think the readers will appreciate it more." - Reiko Shimizu (mangaka)

This is an important quote to a writer from a comic writer. I don't know how to better place this in the context of the life of writing. The best I can understand from this quote from Mangaka (Comic writer) Reiko Shimizu is that a writer, not even the creator of whatever given media can absolutely know every bit and detail about one's characters. These clues may only be revealed in the process of writing. While in the moment of writing one's story can the stranger become the friend. The unfamiliar becomes the familiar. What is the mystery can only be understood and revealed through the active process of WRITING.

To learn more about "Imagine Nation" the show:


Wednesday, July 13, 2016

Random Rant That I Have Given Much Thought To

I'm a college lab tutor and so my students are from FOOHS (Fresh out of high school) to their 50s.

Many of my early 20s-30s students tell me how their families harass them for being 'nerdy' and preferring to: read manga/comics, watch anime/cartoons, and even *gasp* dare I say it? Play video games!

My students confide in me and when I hear these laments over and over, I get irate. There are so many temptations in this world.

I asked a student why were her parents so angry at her for staying in on a Friday night? And for staying in to read MANGA!

As a late teens to early thirties, there are so many temptations in this world, so many bad things to be involved in. One can be addicted to drugs, sex, alcohol, or even run away to join a cult! Instead, one's LARPing? Playing D&D, doing podcasting...

And these aren't considered by parents and guardians to be the healthier alternatives!? I'm confused.

Thursday, October 9, 2014

Dreaming with Winsor McCay

I just found a veritable treasure on OnDemand: "The Cartoons of Winsor McCay" for Turner Classic Movies.

Winsor McCay was a prolific creator, producing significant works on paper and on screen. In the TCM film, his friends would challenge him to do the impossible and he would always deliver!

Other works included How the Mosquito Operates (1912), The Sinking of the Lusitania (1918 - his cartoon is the only recording of one of the worst disasters in recent memory -- after the Titanic) Bug Vaudeville (1921) Dream of the Rarebit Fiend (1921) and more. 

More famously known for Gertie the Dinosaur (1914) and Little Nemo In Slumberland (1911 - he penned both comic strip & cartoon), McCay's works were so innovative and revolutionary that his contemporaries, other animators of the day, could not replicate what he did.

While working on a project, McCay would experiment and invent techniques to maximize the beauty of his drawings and enhance the storytelling. He literally was 'making it up as he went along'! 

Unlike the animation of the early 1900s, 1910s, and the 1920s, McCay's cartoons were naturalistic and his ink work smooth. 

I thought Disney's "Fantasia", which helped to cement my love of centaurs, was a pioneering piece, and it was. But among completed works and fragments, McCay had made a 'centaur story' BEFORE Disney, called, what else? Centaurs!

Upon viewing the films, Winsor McCay's stories are whimsical and dreamlike, while being rooted in the modern world. 

In the Rarebit Fiend, while both in bed, a husband is admonished by his wife for eating the cooked rabbit meal so close to bedtime. The wife tells him, 'you get such queer [strange] dreams!' To which he replies, 'But I can't help myself! I just love rarebit when it's cooked so well!'

The story that follows 'Rarebit Fiend' shows the wife's dreams this time. The husband has made their house flying-ready, with the help of an engine in its attic, wings on both sides, and a propeller through the front door. The house then flies about the city, causing mischief, even dumping the local water tower's water on a temperance meeting [please look that up]. 

In Bug Vaudeville, after receiving a hand-out from someone in the neighborhood, a hobo [homeless man] decides to take a nap under a tree that's beside a lake, and starts dreaming about dancing insects.

In The Pet, a stray puppy is taken in, until it starts to grow so fast, that it devours furniture, the family parrot, and even outgrows the neighborhood once ingesting rat poison bought by the husband from the local druggist [that's pharmacy to us].

Dreams and dream haze play prominent in McCay's storytelling, but he doesn't sacrifice concrete details for the sake of whimsy.

In How the Mosquito Operates, a mosquito --incorrectly made male by its Stetson hat, jacket and briefcase --goes to 'work' on a hapless sleeping man. McCay shows the man to have wrinkles, sagging jowls and fat rolls at his head and neck, such attention to reality in such an absurd story! 

Winsor McCay-biographer, John Canemaker, is an authority on animation and films as well as a lecturer at New York University. He is also a watercolor artist.

During the airing of "The Cartoons of Winsor McCay" he co-host the feature with Robert Osborne, host of the TCM channel.

McCay would continue to push the envelope in animation and be its pioneer. That is, until a certain young man known as Walt Disney came along...

Saturday, March 2, 2013

I don't understand some people...

I don't remember if it was a writers' conference, a workshop, the Miami Book Fair, some random convention or event I usually attend when I'm bored and/or have some extra cash.
Anyhoo, a gentleman was impressed by the fact I was published and had my own website. He asked what inspired my stories.

I told him I grew up on Greek myth and so, at the time, Tabber the Red (my site), had Greek Mythology* on the Welcome Page. He told me that was surprising, since I'm not Greek.

Huh? What? How did you arrive at that conclusion?
No, I'm far from Greek (I'm 1st Gen Caribbean-American), but what I don't understand is that, as far as I could tell, neither was he.

Yet, I got the impression that had I matched his skin color, this man would never have said such a ridiculous summation to me.
What did being non-Greek have to do with being a lover of storytelling that has lasted through the ages?
~~~
I don't like pigeonholes: in high school art, as a girl, I wasn't suppose to draw superheroes.

Instead, I should be creating the fashion art the majority of girls were drawing (one fashion artist even got ticked off when she saw the outfits I created for my characters, and demanded to know how I could draw such outfits - so, she was jealous at how..creative the outfits on cartoon characters were?).

In junior high, I should be drawing still-life instead of cartoons.

In college art courses, an instructor/professor had the nerve to tell me I was too repressed and restrictive, especially when, after completing his assignments, I turned to sketching my own work during free time.

When I decided to take writing seriously, when it no longer became a passing interest, no longer a hobby, but something I wanted to shape my life, there were folks who told me to stop writing about animals, stop living in science fiction world, stop these childish dreams, and focus on reality, and read Urban fiction (you know, because I AM Black).

And let me also mention the English teacher, who, in my first-year of high school, accused me of plagiarism (don't worry, will explain in another post), and a science teacher from my junior high days, a truly dreadful woman, who later showed up at the college I later attended!

Here I was, working at the college bookstore as a cashier, and she, horror of horrors, was the next in line!

Dreadful Teacher: Oh, it's you, Ms. Welsh. You're here. (Because, she could never call us by our FIRST names, as she was mean enough not to make it personal)

Me: Hello, Ms. (Name deliberately omitted). How are you?

Dreadful Teacher: What're you doing here?

Me: I'm majoring in art.

Dreadful Teacher: Oh. THAT again? I thought you gave that up.

I don't know why I wanted to bite her instead of the normal thought of punching her, I guess that was just the so-called 'Furry' in me, but I grinned wide enough as if I was bearing my teeth in a snarl and wished her a nice day.
~~~
As human beings, we all have prejudices; we all make snap judgements. We're all flawed.Yes, if we know a person's ethnicity, we can hope to better understand him/her, if we know someone's name, it betters our chances of connecting with him/her.

I get it. What I don't understand is, when a person can just outright BLURT OUT his/her snap judgements at you on the summation of skin color? Or gender? And then on THAT flimsy basis, decide what you must like, what must be your hobbies, what must be your life? And when you completely change that illusion or assumption, YOU, not the person who makes the snap judgement, are the brunt of that person's ire or confusion?

I don't want to understand. I just want to draw what I like. I want to write what I like. So far, some people like it, some love it, and some hate it no matter what. We are entitled to our interests. We are entitled to our opinions.
But please, for those who think you can decide everything about a person just by looking at them, maybe you're in the wrong business.
You should probably do fortune-telling. Yet, even palmists study a person carefully before making a prediction.


*For those who visit 'Tabber the Red', I have since changed 'Greek' Mythology to 'World' Mythology because the Greek stories led me to reading other cultures' myths and folklore.

Monday, February 18, 2013

Doobi-Doobie Doo...

As I am preparing for my next posts about two fabulous authors (both are inspirations), I will leave you a list of my favorite cartoons in the meantime.

Think of this as Intermission.

*NOTE: These cartoons were paramount to my development as an artist and how I tell stories, so, like they say, "Don't knock it 'til you try it!"
The list is not in specific order. Also, my memories can only go so far. If I am incorrect anywhere in this list, especially referring to the LEGEND KEY, then please let me know!
Some of these cartoons are from the early 1980s (Yes, gasp in horror you 90s and 21st people!)*

LEGEND: **Cartoon off the air
$Cartoon in syndication on some cable network
$$Cartoon based on a franchise toy
^^Cartoon remade to modern version

** Wildfire
**$$ The Popples
** The Wuzzles
** Shirt Tails
** The Get-Along Gang
** Dungeons and Dragons
** The Paw Paw Bears
** The Biskitts
** Disney's The Gummi Bears
** Bionic Six
** Beverly Hills Teens
** CBS's Storybook
**(UK) Danger Mouse
** The Kwicky Koala Show
** Lady Lovelylocks and the Pixietales
** The Littles
**(Classic anime)The Mysterious Cities of Gold
^^$$ My Little Pony 'n' Friends (Remake: My Little Pony: Friendship is Magic)
** Foofur
** The Snorks
$ Heathcliff and the Catillac Cats
**(Classic anime) Mapletown
**$$ Monchichis
** The Pink Panther and Sons
^^$$ Pound Puppies (Remake: Pound Puppies)
**$$ Rubik the Amazing Cube
^^ Thundercats (Remake: Thundercats --> Anime version!!)
** Thundarr the Barbarian

If you remember ANY of these cartoons, let me know and we'll reminisce!

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