Inspiring other artists/writers. Enlightening readers/viewers.
Tuesday, July 11, 2023
From the Twitterverse
Sunday, June 18, 2023
Why I Don't Do Creative Work In Public Anymore
Thursday, October 22, 2020
Why the Disrespect of Comics Still?
Last week, a well-known author whose story was required reading back in grade school, made a disparaging comment about graphic novels. They pretty much dismissed and even insulted fans who were graphic novel readers, myself included. Immediately, because it was social media, people swarmed into her comments.
The first to strongly contest the author's words were, of course, the graphic novelists! The graphic novelists not only explained what got them into their field, some even mentioned how they struggled to read when they were young and that comics helped open the doors to the world of books. Then came the librarians and educators, citing that because of a variety of obstacles students and young people face academically, whether it's a first language not English at home, or a host of learning and reading disabilities, educators and librarians cited that when students and youth struggled to read, graphic novels were their keys.
This lauded author's comments reinforced my understanding that comics and images with text are still not respected as art and literature in the U.S. Since subscribing to the periodical, World Literature Today, I have sadly seen that, while comic books and other illustrated books are derided in the States, other countries, most notably in French-speaking Europe, French-speaking African countries, in parts of the Middle East and Latin America, the graphic novel, comic books, and even comic strips are still judged in award ceremonies that celebrate literature and the arts. As far as I can read, it seems that the U.S. is still behind in uplifting the idea that books that combine images and text can share the same space as other great works of literature and the classics.
I am not ashamed to say that as an aspiring graphic novelist, and as a consumer of comics with other books since I was a child, the author's words hurt me. I was also a fan of this author's book when it was chosen as the title
my junior high class had to read. Other students were not happy but I
was. I knew that sitting in my family book case was a 60s hardcover with
psychedelic-type artwork waiting for me. I also blogged about my love
for this story and its film. Also, I am currently an educator, so I was
hit twice by their comments.
I remember being taken to Barnes and Noble's basement with my big sister to scour for bargain books where I found 25-50 cent mass market paperbacks of illustrated Flintstones novels and Peanuts comic strip collections. Now, the graphic novel publisher, Fantagraphics has been collecting a lot of classic Sunday Funnies titles and I regret that my paperbacks did not survive to be worth anything now! I also read many of the classic literature in my junior high library when a press started to publish these works into pocket-size graphic novels. Small enough for me to read in class and hide in my pocket or sweater so I didn't get bullied by other students.
To make a long story short, the author did re-post many of the comments and responded that they would learn from their mistake. But, I still do not understand this vitriol and derision towards a medium that is some centuries old -- we thought comics were younger than they really were, until caricature graffiti was discovered on Egyptian pyramids and that in a Japanese museum lies a 1000-year-old scroll with anthropomorphic animals engaged in human sports and other human activities, long before Beatrix Potter's ancestors were a gleam in their parents' eyes.
We must change this narrative, and though the author apologized, it seems that people need to be schooled more about how comics actually help to expand the world for its readers while making fans and creators into a tight-knit family.
Thursday, November 21, 2019
My social media promos for CATCHING FEELS
[NOTE: Click here if you want to learn more about Kyanite Press - Kyanite Publishing LLC or click link for the Facebook image caption!]
[Twitter: If you haven't seen my news yet, the follow-up to my SF story THE HUMAN NETWORK has been accepted by @KyanitePress! It's called CATCHING FEELS and it comes out February 2020!]
Welcome back @[my Twitter handle]
It's the continuation to THE HUMAN NETWORK.]
Wednesday, December 5, 2018
From the Land of Twitter
When I get an idea in my head, or I'm nursing a story, I'll either jot it in one of my journals or I'll rant about it in a series of tweets (or lately, in a Twitter 'thread'). Here's my latest rant expanded so there's more here than on my Twitter timeline.
I seem to take a lot of influence from the story Country Mouse, City Mouse. That theme became my canine Mafia furry historical stories. Yet, lately, I ended up thinking about an old idea remade into a graphic novelette. Will revise old drawings accordingly before I draft the scenes.
I already have a squirrel and a rat characters. And no, the rat isn't a bad guy but a love interest. I'm so sick and tired of certain animals being demonized in stories. Such tales have real-world impacts. Right now, wolves are still hated and feared globally. And sharks are thought of as continuous eating machines.
My influences with Romance will come from Harlequin and Avon. I'll use regional ecology where my main characters are indigenous animals to a given area.
In this case, my squirrel will be from the Midwest and my rat will be from the Northeast. Both characters will be urban beings but have early ancestral roots in a rural past. And I'll say no more.
When I start to draft these scenes, I'll post on my Instagram. I'm also struggling to find a publisher for these ideas. Where can one get short comic stories published? And at my own pace? I'm not good with deadlines, and even worse when it comes to artwork. In the meantime, stay tuned, Dear Readers.
Wednesday, June 6, 2018
From the Twitterverse
I did about two pages from the current sci-fi series and felt I wasted my day.
The scene is quite important and if I keep it in my Jamerican's POV, it truly shows the alien-ness of her child's father, someone who's been masquerading as human for so long. There's still more to write from this scene.
Also, for the Google Docs manuscript from the same series, I haven't finished the SMS-patois scene between her and her bestie Barbadian friend. I need to continue to type and revise THAT scene and the scene right after before I can consider it DONE.
However, this morning, I re-watched a favorite Korean film of mine (I bought the VCD almost 13 years ago) called "My Little Bride" and then watched a new film that was wonderful, and a bit raunchy (tee-hee), also from Korea called "Love Clinic" so that was good.
Friday, June 9, 2017
When Someone Compliments You...
Another creative popped up - the person was following another follower of mine - and began to ask me a series of questions about my writing. The person began to ask about a story I wrote about a decade ago! To top it off, the person tweeted quotes from it that I had to re-read my own story to be reminded. For over an hour and a half, we chatted and the person brought up how reading my stories has encouraged them to tackle their own writing... WOW.
[Here are screenshots of the convo. I erased our actual Twitter names for privacy purposes]
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| via Redcap Goblin |
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| via Redcap Goblin |
Saturday, November 30, 2013
2nd Interview with Ms. MaryAnn Kempher!
2. Did you expect most of what came from that novel's debut? Or did anything in the experience of publishing a first novel take you by surprise?
3. We know characters are often a combination of people we knew/know or various aspects of ourselves. Were those characters based on people in your life? And/Or yourself?
4. I was taken in by how breezy "Mocha" was. And with its unpredictability, family secrets, weird inner monologues, and self-doubts, I must tell you, the tone and its spirit felt very Japanese lit to me. What do you think of that assessment?
5. With all that was going on in "Mocha", the novel felt very grounded, not soap-operatic. How did you manage that?
9. I have to tell you, I don't read mysteries, I prefer to watch them on TV. But now, I know I will start reading them more because of "Mocha". How does that make you feel?
Friday, April 19, 2013
Interview with Ms. MaryAnn Kempher!
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| Image courtesy of Author |
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