Inspiring other artists/writers. Enlightening readers/viewers.
Sunday, January 22, 2023
Just Some of My Current Reads!
Wednesday, September 14, 2022
Sorry I've been MIA
Sunday, June 26, 2022
Happy Pride Month 2022!
Friday, May 27, 2022
My 3-part Insta Videos about Yanina's Sexual Orientation
Sunday, January 16, 2022
The Fifth Element is still inspiring!
| "Septimus in all pink"(2021) |
| "Septimus on gay/queer-friendly niche strip club ad"(2021) |
Friday, November 19, 2021
I'm Stretching My Graphic Skills
Sunday, October 10, 2021
Graphic Novel WIP coming along
Monday, March 22, 2021
Finding the style...
Tuesday, December 22, 2020
Graphic novel is finally being FINALIZED
Thursday, April 9, 2020
Drawing covers as I cannot seem to write
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| Summer to Winter(c) cover by CWJR |
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| Summer to Winter(c) cover by CWJR |
Tuesday, February 25, 2020
Some more sample pages from my graphic novel WIP
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| CF Welsh Jr. - color/style choices |
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| CF Welsh Jr. - Front cover |
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| CF Welsh Jr. - Front cover |
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| 'Summer to Winter' color vignette page |
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| 'Summer to Winter' pg 1 |
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| 'Summer to Winter' pg 2 |
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| 'Summer to Winter' pg 3 |
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| 'Summer to Winter' pg 4 |
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| 'Summer to Winter' pg 5 |
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| CF Welsh Jr - Interior cover |
Saturday, February 15, 2020
Some reminders when working on comics
The drafting for this graphic novel requires me to use scale down storyboarding with these new Faber-Castell pens. I'll probably post one or two pages here.
I didn't do strict comic scripting for this particular storyboard. There's a lot of inner rules I have to set for myself. And while I'm working on this comic, I have had to upgrade certain skills, change some rules, and do what needs doing at the moment.
I'll also do some sketching and doodling exercises and probably post here and the rest on my Instagram. Trying to take things easy this week at least.
Thursday, January 2, 2020
The Art of Plugging Away 2.0 ('20)!
Wednesday, November 6, 2019
I'm a NaNo Rebel! Part 3 [Last]
I'm a NaNo Rebel! Part 2
Saturday, October 26, 2019
NaNoWriMo is coming up!
Friday, October 11, 2019
It is INKTOBER time again!
I have been so sick, with the Hashimoto's, my vacation in Jamaica with mom, and trying to enjoy my birthday in September, that a longtime tweep had to remind me this blog hasn't been updated since August! So let me do a rundown of what I've been up to:
1. My "Summer to Winter" graphic novel is finally fully-forming. I'm drafting pieces that I later upload to Instagram that gets very positive feedback.
2. I've been chatting and lamenting in private chat with fellow writers.
3. I cosplayed and attended my first convention in a good long while.
4. I'm trying to research whether to host comics or send out to markets.
5. Re-evaluating what I'm doing for 2020.
6. Caught some kind of flu virus that didn't make me feel like I was going to be dead.
7. I completed the second story to my Scifi series! It follows after 'The Human Network', which is still available through Kyanite Publishing, Barnes and Noble, and Amazon.com (all links and their details are available on my other blog: The Angry Goblin on WordPress).
8. Another guild member and friend beta-read it and I made changes.
9. I'm also doing Inktober 2019, and I'm actually following the prompts this year! As soon as you finish this post, you can hop over to my Instagram: handdrawnbycarmenjr. Also, you can get a sneak-peek of my graphic novel in progress!
And now that things seemed to have returned to my kind of normal, I'll be blogging again.
Until next time, Dear Readers, be kind to yourselves and unwind.
Thursday, August 29, 2019
When You Find the Sweet Spot
When you find that sweet spot during creating
As some of you may know, I work occasionally on some comic stuff. Not professionally, but my own stories. I've gotten two comic strips published (one became shortlisted in a humor contest) and I've been creating a slow and infrequent stream of comics over time.For one particular fellowship I applied for, I created a 20-page graphic novel within a month and a half. Let me say I will not do that again! I didn't get the reward, but I learned more about myself as an artist in a more urgent medium. Similar to when I am involved in Inktober, the October event where artists globally participate by creating an ink illustration a day.
Why am I saying all this?
That's because I think I found the style I needed for one particular story. Tentative title is "Summer to Winter" and it's from my main character's poem. She falls in love for the first time and with her high school homeroom teacher. Before you screech to a halt, don't worry, I don't normalize abusive relationships in my stories. As a writer, I try to depict violence for what it is - something abnormal that can be overcome through solidarity, healthy emotional support systems, and the idea that the vulnerable and the oppressed need protecting as well as dignity and respect.
During graduation, she lets her teacher know how she feels about him before they part ways. They keep in contact during her college years but part ways again before both come back into each other's life through a crisis. Eventually, through trial and error, they become a couple. The story does not end there. There are other secondary and tertiary characters involved in their own romances and who get their own stories told but all eventually revolve around the former student and her former teacher's romance because the other cast members were from her class or her school.
This story started in the early 2000s and because I wanted to be one of the next U.S. manga creator, I purchased actual comic paper from my local comic bookstore. I tried inking with nibs -you know, dipping nib pens into ink bottles?- I even used an ink wash with paintbrushes. Yes, I was INSANE.
It turns out that it took me a month to create ONE PAGE. A MONTH. I would need 200 years of life to complete this story, so I scrapped it!
Years later, I tried a line art style. Black lines, solid blacks balanced with white. That worked for a time. I worked on regular-size art paper. I created more pages, however, the plotting was all wrong. The pacing had slowed, character motives weren't clearly thought out, it looked good and I was happy with the new look but I wouldn't want to submit this anywhere.
I scrapped it once again. I worked on other things. The same journals I used for other stories, I began scripting some of the more complex comic stories. I applied for freelance work. I submitted to contests, fellowships, and grants (I'm going back to applying for writing grants - wish me luck!). I also worked on other stories and submitted to publications.
And then I opened an Instagram account so I could show partials, unfinished sketches, draft pieces and progressions that I didn't want on my DeviantArt account. That's when I noticed the feedback I received from followers, friends, and colleagues. Another artist friend suggested using markers. I used to use them as a kid but now there were even more sophisticated types and different brands. They can make a piece resemble ink work, ink wash, watercolor, acrylics, and even pastels. Let me try some other formats! Let me experiment and since Instagram isn't commitment, dabble and see the responses.
Former student: This doesn't look like a draft! It looks finished! It looks professional! What markers are these?
Friends: I love your comics! Amazing outcome! Dreamy, steaminess, and romantic.
Colleagues: I know this character is your ideal man. You made this man good looking in just a few strokes. What materials do you use?
Pretty positive and a boost to the confidence I needed to try again. I have also been advised by peers and students as to how to market and I'm doing my research as I go. I also found some illustrator-friendly software while I was researching the software that would makeover my website, so I need to practice that as well.
And as always, thank you for sticking with me. In which ever format this comic story appears, I will let you, my dear readers, know the links and where to view and/or buy it.
A pleasure as always.
Saturday, April 6, 2019
More Random Thoughts from Journal Land
Camp NaNoWriMo started but this week took a bit much out of me, plus, I plunked down some hefty funds to get my eyes tested for new prescription frames! I was given a 40% discount but I'm poor until my next paycheck.
More news! Tabber the Red site will have a new look this July! In time for its birthday! So, working on some new Tabber stories set in world while also giving the official website a new face! Ay...
More random notes from the journals - this time, I need to do things on smaller paper or I feel I can't finish it! (Psychologically the same as getting the same amount of food put in a smaller bowl or on a smaller plate)
11x14 paper will be used as drafting/composition ideas!
9x12 will be for larger pieces such as character sheets, profiles, and storyboards.
Finally, 7x10 will be my magic number when it comes to final comic/graphic novel/manga artwork, which can be better scanned and formatted for digital submission.
May God help me with the next coming months. It's gonna be a doozy!
Wednesday, December 5, 2018
From the Land of Twitter
When I get an idea in my head, or I'm nursing a story, I'll either jot it in one of my journals or I'll rant about it in a series of tweets (or lately, in a Twitter 'thread'). Here's my latest rant expanded so there's more here than on my Twitter timeline.
I seem to take a lot of influence from the story Country Mouse, City Mouse. That theme became my canine Mafia furry historical stories. Yet, lately, I ended up thinking about an old idea remade into a graphic novelette. Will revise old drawings accordingly before I draft the scenes.
I already have a squirrel and a rat characters. And no, the rat isn't a bad guy but a love interest. I'm so sick and tired of certain animals being demonized in stories. Such tales have real-world impacts. Right now, wolves are still hated and feared globally. And sharks are thought of as continuous eating machines.
My influences with Romance will come from Harlequin and Avon. I'll use regional ecology where my main characters are indigenous animals to a given area.
In this case, my squirrel will be from the Midwest and my rat will be from the Northeast. Both characters will be urban beings but have early ancestral roots in a rural past. And I'll say no more.
When I start to draft these scenes, I'll post on my Instagram. I'm also struggling to find a publisher for these ideas. Where can one get short comic stories published? And at my own pace? I'm not good with deadlines, and even worse when it comes to artwork. In the meantime, stay tuned, Dear Readers.
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